妙警贼探第二季人人

意大利新现实主义的代表作，但因其反应现实的力度致使当时的意大利政府采取了全面封杀的态度，结果使这部片子的知名度大幅度降低，但本片无论从表现手法，还是演员表演，到对社会，人性的刻画揭露，无不表现出深厚的功力和艺术水准，其成就足以使它超越《偷自行车的人》成为新现实主义的巅峰之作。In the shadows of a highly contagious virus, a normal family seeks shelter in the safety of their own home during a nationwide LOCKDOWN in which MARTIAL LAW is declared. With nowhere to go and danger approaching from outside. The family is forced to confront the evil that terrorizes them from within before it consumes them all.。